Dream Logic


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Communication by  Kahn + Selesnick


Le Baiser - blondiraq’s posterous




Dream Logic (by Moi — {Jay Gidwitz Art})

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From the Artist Statement:

 

The exhibition of Dream Logic, was my senior thesis show in 2009. It contained some of my best surrealist work up until that point, created with photography and digital painting in Photoshop. “Surrealism” denotes a type of dream like imagery in art work as well as a specific movement of which Andre Breton was leader of until his death. And then of course there was Dali, who claimed he was surrealism - which was probably true.

Realistic & impossible dream-like imagery has probably existed since humans have been creating art. Many of my teachers insisted that while my work was “surrealistic,” it was not “surrealism.” Dream Logic sums up this work. It is meant to indicate an attitude toward creativity and the creative process, as well as work that is “dream-like” in nature without any of the Freudian baggage that surrealism was associated with.

My aim is to capture the surreal and mysterious world of dreams and the unconscious, the images that appear as you float towards the periphery of consciousness.

Most of the art here is new media: a mixture of photography and digital painting, or digital art.

 

Via Dream Logic (on photoshelter — testing out the site)

Jay Gidwitz via posterous


Dream Logic (by Moi — {Jay Gidwitz Art})

From the Artist Statement:About Dream Logic

The exhibition of Dream Logic, was my senior thesis show in 2009. It contained some of my best surrealist work up until that point, created with photography and digital painting in Photoshop. “Surrealism” denotes a type of dream like imagery in art work as well as a specific movement of which Andre Breton was leader of until his death. And then of course there was Dali, who claimed he was surrealism - which was probably true.

Realistic & impossible dream-like imagery has probably existed since humans have been creating art. Many of my teachers insisted that while my work was “surrealistic,” it was not “surrealism.” Dream Logic sums up this work. It is meant to indicate an attitude toward creativity and the creative process, as well as work that is “dream-like” in nature without any of the Freudian baggage that surrealism was associated with.

My aim is to capture the surreal and mysterious world of dreams and the unconscious, the images that appear as you float towards the periphery of consciousness.

Most of the art here is new media: a mixture of photography and digital painting, or digital art.

Via Dream Logic (on photoshelter — testing out the site)

Jay Gidwitz via posterous


Can “Complementary” Currencies Save Us From the Next Crash?


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In the wake of a global meltdown that exposed the fragility of our financial system, it’s understandable that many people are suspicious of the stability of our centralized monetary systems.

“We have had 97 major banking crashes over the last 25 years, and we have 178 monetary crashes over that same time period,” says Belgian currency expert Bernard Lietaer. “Would you not say that’s a sign of something being repeatedly unstable?”

As a result, Lietaer and others are advocating for “complementary” currency systems—alternative monetary devices that run parallel to centralized currencies. These can take the form of local currencies separate from the government, or even organized barter arrangements.

One example of such a currency, says Lietaer, is the Wirtschaftsring (Wir), which was established in 1934 and is used by 75,000 businesses in Switzerland alongside the Swiss franc. He says the Wir has played a crucial role in stabilizing Switzerland’s economy: “When you have a recession, there are not enough Swiss francs around to buy things. The number of participants and the volume of transaction in Wir increases, spontaneously, because that’s what’s available. People don’t have to have a credit line with the banks in order to purchase things.”

Lietaer says that larger complementary currencies can also play a social role. The Fureai Kippu is a Japanese communal currency that supports the elderly. One unit is equal to one hour of service to help an elderly person with tasks that are not covered by the national health care system in Japan. The Fureai Kippu parallels the national system on a local level, tracked as a savings account via two computerized clearinghouses. “If you were trying to do that with conventional money, it wouldn’t work. Japan would go bankrupt!” says Lietaer.

So, why haven’t other countries taken a hint from the Swiss and Japanese? New York University media studies professor Douglas Rushkoff attributes dearth of open source currency to “centuries and centuries of programming.” Our current system of centralized monetary instruments, explains Rushkoff, dates back to the Middle Ages, when peer-to-peer economies flourished. As local currencies thrived, so did the middle class—threatening Europe’s aristocracy. Financial experts, hired by the rich to halt the threat, suggested that local currency be outlawed and replaced with a single form of money dubbed “coin of the realm.”

“That’s the system that ended up getting passed down to us today,” says Rushkoff. “It’s part of a six or seven hundred year push for centralization of power.” Now, he says, the emergence and prominence of the Internet can allow us to return to peer-to-peer exchanges. “People are starting to realize they can sell things to people through the ‘net—they don’t have to work for a company to make money.”


Via http://bigthink.com/ideas/24857

Jay Gidwitz via posterous


Grow Up - ReflectionOf.Me


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Serge Birault


Untitled


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